[19], AIP's premiere Beach Party took the Gidget idea, removed the moral lesson and the parents, added more young talent with fewer clothes, and followed the studio's usual format of pandering to teenage moviegoers with popular trends, original songs and music.

[18], AIP Producer Sam Arkoff, in his biography, Flying Through Hollywood By the Seat of My Pants, explained that he got the idea for the first Beach Party movie from an unnamed Italian film that he and fellow producer Jim Nicholson screened in Rome in the summer of 1962. ALL RIGHTS RESERVED, Take A Sneak Peak At The Movies Coming Out This Week (8/12), Prince Harry and Meghan hosting TIME100 Talks virtual special, G-Eazy ‘blown away’ by Ashley Benson’s singing voice as couple works on new music together, Justin Bieber ’emotional’ watching Jacob Tremblay portray him in new music video, Emma Roberts sinking her teeth into teen vampire show for Netflix, G-Eazy 'blown away' by Ashley Benson's singing voice as couple works on new music together, Justin Bieber 'emotional' watching Jacob Tremblay portray him in new music video, Dylan O'Brien anxious about movie stunts after Maze Runner accident, Lizzo 'optimistic and hopeful' amid Black Lives Matter movement, Ice Cube hits back after prompting backlash by teaming up with Trump campaign, Idris Elba: 'If I acknowledged all my critics I'd have a miserable life', Post Malone rules Billboard Music Awards with nine-prize haul, Daniel Day-Lewis Crowned Most Bankable Brit at U.S. James Bond is a man who loves a woman on the beach. while Muscle Beach Party promised, "When 10,000 biceps go around 5,000 bikinis, you know what's going to happen!" Please see our Fandango Ticket Policy and Refunds & Exchanges FAQ for more details. United Artists released only two films in the genre, the Hugh Benson-produced For Those Who Think Young in June 1964, a college-based comedy with unusually little music; and the critically panned Elvis Presley vehicle, Clambake in December 1967. Damn you, Nicholas Sparks! Beach party movies were an American film genre of feature films produced and released between 1963 and 1968, created by American International Pictures (AIP), beginning with their surprise hit, Beach Party in July 1963. Beach Party was able to use Ashley as Avalon's sidekick; picked up Jody McCrea and Eva Six from AIP's own Operation Bikini; and secured "red-hot" surf music pioneer Dick Dale and the Del-Tones (whose second and third albums would be released by Capitol Records in 1963) to bring in their usual demographic. Reserve your tickets now! The earliest films by AIP, as well as those by other studios, focused on surfing and beach culture. Dr. Pepper spokesmodel Donna Loren appeared and sang in four films beginning with Muscle Beach Party. Wouldn't you want to be in a man sandwich featuring Diego Luna and Gael García Bernal? As with the major studios listed above, none of the following films were sequentially related either. [23][24] This part of the formula was something that appeared to be lost on imitators, as several films of the genre by other studios featured parents as major characters and parental interference as plot points.

AMC's Tim Dirk calls the AIP series a "four year, seven-film 'beach party' continuing series" (yet lists eight films) and describes it as the "mostly sexless, antiseptic, and well-groomed antics of beachgoers"[32] – in spite of the fact that the AIP films are overflowing with sexual innuendo both in dialogue and action, as well as seduction, sexual teasing, and even include brief scenes of faking a sexual assault (Beach Blanket Bingo), gender dysphoria / egodystonic sexual orientation (Ski Party) and references to homosexual tendencies (How to Stuff a Wild Bikini), albeit in a comedic setting. Earn 125 points on every ticket you buy. The AIP films also used a couple of established comedians more than once. Other acts that appeared include James Brown & The Famous Flames, Lesley Gore, The Hondells, The Kingsmen, The Pyramids and The Supremes. Quite possibly the most iconic beach-related sexytimes in the history of cinema, Burt Lancaster and Deborah Kerr steamed up the screens of 1950s cinema houses everywhere.

[39] The studio's only true "beach party" film was the low-budget ski-oriented entry, Winter A-Go-Go, released in October 1965. In reality, more "sex" was suggested in these films – as well as their posters and trailers – than in anything the studio had previously produced. Oliver Reed may not be everyone's taste, but all-out sexytimes on a deserted island sound pretty hot to us. When the picture opened ... the theater was flooded with kids. The musical talent that AIP hired was a mixed bag of established artists and those who were about to break. The original 1991 film—which was remade in 2015—stars Keanu Reeves as Johnny Utah… The film stars Leonardo DiCaprio, Tilda Swinton, Virginie Ledoyen, Guillaume Canet, and Robert Carlyle. Films released Beach Girls and the Monster in September 1965, starring Jon Hall, Sue Casey and Walker Edmiston as characters in a Malibu-based monster murder-mystery. Starring Martin Milner, the film received a 1968 Golden Globe nomination for Best Original Song for the Jerry Styner/Guy Hemric composition, "Please Don't Gamble with Love" – the only film in the genre to be nominated for a Golden Globe.

Halle Berry's nod to 'Dr. No' was only slightly overshadowed by how ridiculously amazing she looked emerging from the rolling ocean waters in that orange bikini. United Screen Arts released two films in the genre, both in 1965: A Swingin' Summer, a Lake Arrowhead-based outing starring James Stacy, William Wellman, Jr., Quinn O'Hara, Martin West, Mary Mitchell and Raquel Welch; as well as the rarely seen, even-lower-budget, Hawaii-based One Way Wahine, starring Joy Harmon. [41] Starring Troy Donahue and Stephanie Powers as collegiate types on a group vacation, it was released in November four months after Beach Party. AIP followed up with Muscle Beach Party barely seven months later in March 1964, and Bikini Beach, released only four months after that, was the highest-grossing film in their history – as well as the highest-grossing film of the genre.[35]. One sure thing about Nicollette Sheridan: she looks really good on a beach.

The Beach is a 2000 adventure drama film directed by Danny Boyle and based on the 1996 novel of the same name by Alex Garland, which was adapted for the film by John Hodge. The aforementioned Dick Dale & the Del-Tones appeared in the first two films, and a 14-year-old Stevie Wonder performed in the second and third films.

A group of aspiring actors and filmmakers in post-World War II Hollywood try to make it big - no matter the cost. OK, maybe they were technically cousins, but I mean, they were from Victorian times so that sort of thing was the norm. Occasionally modern critics[27][28] – and even Arkoff himself[29] – have suggested that the so-called "clean teens" in these films did not smoke or drink, but this appears to be based on recollection rather than observation: Avalon and others smoke in both Beach Party and Muscle Beach Party (the Surgeon General's report on smoking was not released until January 1964), and beer is referenced in several of the AIP films,[30][31] as well as their imitators like 1963's Palm Springs Weekend and 1965's Girl Happy. An up-and-coming Nancy Sinatra acts and sings a song in Ghost in the Invisible Bikini (two months after her hit record "These Boots Were Made For Walking" was released), backed up by the also-yet-to-break Bobby Fuller Four. Occasionally the term "surf movie" refers to a straightforward dramatic film that uses surfing as a backdrop or plot device, such as Big Wednesday or Blue Crush. The only film not to have an appearance of some kind by either Avalon or Funicello is The Ghost in the Invisible Bikini; early promos for the film had announced that the two would appear, but it did not happen. In August 1965, the studio released a Maury Dexter-directed Lippert production, Wild on the Beach. The politics and problems of the day, such as the seemingly endless Vietnam War, the political assassinations, the civil rights riots and similar issues were also ignored as these were primarily viewed as problems created by adults, not teenagers. U.S.

Arkoff said that he didn't care much for the Italian production because "there's not enough there that American teenagers can identify with. One of the earliest uses of the term in print is found several times in the June 1965 issue of Mad magazine in an article written by Larry Siegel. In addition, Ski Party would appear unrelated, except that the characters of Todd and Craig also appear in the later Dr. Goldfoot and the Bikini Machine, which is also linked to How to Stuff a Wild Bikini by the appearance of Eric von Zipper and Annette Funicello. With this film, AIP is credited with creating the genre. Damn you straight to hell. 6 'Casino Royale' Running for your life before a giant super-shark comes and murders you? Especially when it involves Ms. Marilyn Monroe. And it doesn't hurt to show girls in skimpy bathing suits." Bo Derek, running down a beach, in a skintone-hued bathing suit. (Just trying to make sure you're still paying attention!

The film was a moderate box office success but received mixed reviews from … Embassy released the sci-fi Village of the Giants in 1965, starring Tommy Kirk (who appeared in four films in the genre, including two for AIP) as the older brother of kid-genius Ron Howard, who accidentally invents a substance that enlarges living things, with music acts provided by The Beau Brummels and Freddy Cannon. Catalina Caper is generally cited as 'the last beach party movie,'[4][5][42] although that distinction should probably go to Allied Artists' English-dubbed version of the 1966 Gaumont Czechoslovakian production Ski Fever [de], released in the U.S. in 1968.

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